Inspired by his profound will of redeeming the life of Hanadarko, a youthful cop, who has a hopeless and decimated life, as she addicts alcoholism, has an affair with her partner, a married criminologist, and does no good thing in her life, Earl, an angel, saves her life from a deadly car accident to give her another possibility, what moves her life. Season two begins with Grace has a plan to revenge from Father Murphy.
It's not a bad show, but the mechanics of how they're going to abduct their latest target are far less engaging than how the team interacts with each other and how each member fights his or her compulsions.
This will be good news to people who enjoy watching train wrecks in which the engineer accelerates as the precipice nears, which is Grace's signature move.
Saving Grace is less about its procedural storytelling than it is about simply creating a venue to showcase Hunter's undeniable smallscreen star quality.
I'm still thrown by the "talking to angels" bit, and I think the level of pain in Grace's life rises to the level of overkill at times, but the show is unlike anything else on TV.