The series returns again through a new drama where Daniel Malouf, Veronica's colleague and Keith, seems to admit that there was a real shock during that period. On the other hand, it seems that Sheriff Langdon closes some things about a new suspect, and Veronica and Matti are completely united, but the investigation may turn upside down.
The twists and turns, which include both beloved returning characters and new faces viewers will 100 percent fall in love with, are entertaining, but at times, take too much thought.
Veronica Mars is still a fun show to watch. It's decidedly less fun than it used to be. Thoughts of its theme song's refrain, "we used to be friends," remain ever-present.
This is the way Veronica Mars was meant to be viewed: off a leash, completely free of the primetime constraints and censors so it can properly explore its surreal surroundings and fully embrace the noir content matter.
Veronica Mars has gotten a warier, moodier makeover... with higher stakes, a deeply cynical sensibility, and an ending that leaves a bitter aftertaste.
A captivating, deliberately frustrating season of television that's very nearly as good as the show's first and considerably more compelling than its second or third.
Thankfully with a new mystery and a more forward-thinking approach that's not so focused on nostalgia, newcomers can enjoy this season as much as longtime fans.
Having basically achieved whatever-ness in record time-I mean, they definitely could have just broken up in a final seeming way, but it's fine, another show I don't have to watch!
