This series tells about a world of powerful and different drama, where we live here with many of the adventures highlighted with the identification of Rosie's body now, Det. Sarah Linden and Diet. Steven Holder begins the arduous task of reshaping her movements, getting to know her friends and following her movements after she left the Halloween dance at her high school on Friday night. They ask board member Darren Richmond, who says he does not know why Rosie would have been in a car box registered in his campaign. He refuses to play politics with the situation. Linden interviews Jasper Ames who interrupts his father's questioning.
Critics Of "The Killing - Season 1 [Audio: French]"
Troy Patterson
Slate
April 03, 2011
The prologue practically functions as a schematic diagram of all the police procedurals - with their virtuous investigators and their quasi-necrophiliac tone - that The Killing seems to deconstruct and reassemble on a higher plain.
The best reason for tuning in to The Killing is that it might re-sensitize those who've seen one too many episodes of Criminal Minds - or overdosed on local news.
The Killing is the least prepossessing, an eerily quiet, yet compelling and complex, tale of the way the murder of a teenager affects the lives of many people.
The Killing is your basic Law & Order murder mystery - the step-by-step investigation, the list of perps that expands with each new piece of evidence, the "aha!'' and "really?'' twists.
The fact that The Killing is nothing like other crime dramas on American television is a welcome relief. After all, between multi-city franchises and tired formulas, they are beginning to blend woefully together.
The disparate detectives of The Killing may have their own means and methods of getting to the bottom of this. But the overall air of believability is palpable from the start. All the better for taking a deep breath and diving right in.