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Virtuosity

Parker Barnes is an policeman who is in prison because of killing his wife and child. One day, He is released from prison and he is responsible for hunting a dangerous monster being out of control destroys the city.
Keywords:  #Brett Leonard #Denzel Washington #Kelly Lynch #Paramount Pictures #Russell Crowe #Virtuosity
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Critics Of "Virtuosity"
Los Angeles Times
February 13, 2001
Virtuosity doesn't always compute, but like last summer's Speed, it is far more fully realized cinematically than many less commercial, more serious pictures.
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Deseret News, Salt Lake City
January 01, 2000
There are some interesting ideas at work here, with potential for commentary on news vs. entertainment and violence in America. But it remains unexplored.
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TheMovieReport.com
January 13, 2004
Shallow stuff, but the solid visual effects, decent stunts, and the work of Washington and Crowe make it watchable.
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Rolling Stone
May 12, 2001
Though Virtuosity connects all the dots to give audiences a roller-coaster ride, the movie begets nothing new: It's stillborn.
San Francisco Examiner
January 01, 2000
There's a tiredness to its action sequences and a dullness about its plotting that no amount of special-effects legerdemain can hide.
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ReelViews
January 01, 2000
Given Washington's presence and the promise of a virtual reality action story, Virtuosity has some appeal -- provided, of course, the viewers aren't selective.
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Boxoffice Magazine
June 05, 2002
Despite the fact that it treads recycled waters, Leonard's film is an enjoyable ride.
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USA Today
January 01, 2000
Someone should tell Hollywood that the mass-killer genre is dead and that its virtual reality counterpart is already wheezing.
Washington Post
January 01, 2000
The world of Virtuosity may be spanking new, but the ideas are yesterday's news.
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Austin Chronicle
January 01, 2000
Virtuosity is 95 minutes of unsubstantial firefights and meandering plot twists.
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Capital Times (Madison, WI)
October 31, 2002
The worst movie that could possibly be made starring Crowe and Washington
San Francisco Chronicle
June 18, 2002
The presence of Washington lends the picture a much-needed dose of authenticity. But in the end Virtuosity is disconnected and uninvolving.
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