With the disappearance of the Optimus Prime, and surface war looming between human and the Transformers. Cade Yeager, Bumblebee, and an Oxford professor world have to corporate to save the world
This movie leaves us feeling like we've been smacked in the face for two and a half long hours. So the pre-credit tag teasing part six is chilling for all the wrong reasons.
What's Bay achieved? Not acclaim, not audience affection and certainly not creative development. Just a record number of bad reviews. Here Michael, have another.
A movie that's cut like the world's longest and most tedious trailer, pinballing from scene to scene and rarely spending more than a few seconds on any single shot.
t's hard to sit back and embrace the chaos of "The Last Knight" when you can think about similar big-budget action tentpoles ... and reflect on how even in all their craziness, they just made a lot more sense.
Every time Michael Bay directs another Transformers abomination (this is the fifth), the movies die a little. This one makes the summer's other blockbuster misfires look like masterpieces.
All the best moments in the movie-pure images, devoid of symbol and, for that matter, nearly empty of sense-go by too fast, are held too briefly, are developed too little.
Distilled to its essence, The Last Knight is an orgy of incoherence, a sensory assault that suffocates the viewer in a cavalcade of special effects incontinence.
At 7 hours 15 minutes, this sets the record as the longest theatrical feature ever made. (Keep in mind that I did not have a watch on me during the screening, so my estimate of the running time might be slightly off. But it certainly felt that long.)
