The film embodies the story of Agata Kulesza, who works as a young doctor. Agata was sent to assist the German camp survivors. It seems that this girl is working on discovering several nuns in advanced pregnancies when she visits a monastery near her and turns things upside down.
With gorgeous cinematography by Caroline Champetier and memorably unsentimental performances... Fontaine's film is neither anti-religion nor pro-science but, instead, about compassion, mercy and forgivenes.
Director and co-writer Anne Fontaine makes every shot and every exchange count in her tender but penetrating exploration of sisterhood in a brutal world.
Shot in artful, quiet light (many of the frames look like elegant paintings), "The Innocents" is beautifully performed by its nearly all-female cast; each nun, even those unnamed, is given her own personality and story.
The Innocents may be understandably solemn in mood and sober in approach, but it's illuminating in probing the minutiae of resilience amidst the unexpected and the horrific.