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Fireworks

Nishi leaves his job as a policeman because he has to attend to urgent personal and important matters. He made some desperate decisions with grave consequences which he must face as a man
Keywords:  #Bandai Visual Company #Fireworks #Kayoko Kishimoto #Office Kitano #Ren Ohsugi #TV Tokyo #Takeshi Kitano
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City Pages, Minneapolis/St. Paul
August 21, 2009
Compared to [Takeshi] Kitano, Bruce Willis is a wimp, Harrison Ford is a creep, and Mel Gibson is a joke.
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Film Journal International
January 01, 2000
Simultaneously coolly stylized and surprisingly emotionally persuasive.
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Wired
September 07, 2001
Moody drama from Takeshi Kitano.
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CineVue
January 17, 2017
Hana-Bi is a rare and unique portrayal of violence, futile anger and defiance.
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Deseret News, Salt Lake City
January 01, 2000
An exceptional piece of filmmaking, a drama that blurs the line between the ultra-violent cop movie genre and weepy but moving melodrama, and does it very convincingly.
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Goatdog's Movies
February 28, 2002
A really good example of character development by actions, without the benefit of dialog or mannerisms.
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Combustible Celluloid
January 01, 2000
A fascinating film.
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Slant Magazine
July 07, 2004
Kitano uses his own face as a blank slate with which to sketch a complicated human being.
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AboutFilm.com
October 23, 2003
Kitano makes static, understated movies about existences wasted, and rediscovering the joy of being, for a brief time, alive.... Violence comes in sudden bursts, as a shocking interruption.
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TheMovieReport.com
January 01, 2000
Richly satisfying to the emotions and the senses.
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Ozus' World Movie Reviews
January 01, 2000
This highly original film is at times a masterpiece and at other times it seems like a grade B-movie.
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Chicago Sun-Times
January 01, 2000
Takeshi Kitano, who made it, must be very serene or very angry; only extreme states allow such a narrow focus.
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Twelve years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into ...