The series begins with a wide range of dramatic and dramatic scenes. As Zajac's campaign gains momentum, Ken faces problems adapting to his new medical reality. An embarrassing media storm blows Governor Colin cautiously as Miller stumbles into a story that leaks deeper than he imagines. On the other hand, Ken finds himself losing control, both politically and personally, as his supporters begin to question their confidence in him. Zajac travels to an unknown area during her campaign while Miller continues to look for answers.
Boss can be a little over-cooked or even half-baked at times in its depiction of time-honored Windy City corruption. But it's got a great big bite to it, with never a dull moment or badly shot scene.
I commend this show for finding a way to make each character compelling right out of the gate and make me care about what happens to them, or at least be intrigued about how they fit into the puzzle.
A powerful work of dramatic fiction, a wrenching story of power's last, acrid breaths, of the blood and darkness that gather around an unrelinquished throne.
The Gus Vant Sant-directed pilot of what is easily the most important project in Starz history pulses with the sort of corruption that absolute power sires.
A tonally inconsistent affair that nonetheless displays enough ambition that one could easily vote for it to return in the hope that it develops into the TV leader it could ultimately end up being.
