The film revolves around a pair of unlikely prospective criminals who chase a different two-day journey to recover the lost bag. Now, they travel across the neighborhoods and suburbs of New York City with train, buses and stolen bikes as they storm the house and fight a battle to do what they want.
The plot and characterizations are as self-consciously phony as anything in the early French New Wave, but minus the experimental intent, the commentary on genre and the gaze, or the extreme personal investment.
'Tramps' wisely capitalizes on the intriguing chemistry between the film's young co-stars, Callum Turner and Grace Van Patten. The result? A romantic treat.
A small-scale work that owes its charm to the freshness, relaxed intimacy and unforced humor of its character interplay, and to the warm feel for the environments through which they move ...
At a time when American romantic comedies aim for broad humor and questionable gender politics, [the film] provides a more intimate contrast to the market standard. If romantic comedies need a savior, Leon may be their best hope.
