The film embodies the story of Sammy Barlach, who gets food, housing and the possibility of a better future thanks to her brother Jason redhead. The events take place as usual, as they find themselves powerless against the corruption forces that happen in that city. It seems that the most difficult thing that Sammy must fight is more demons.
The cast are given the space to make the most of each scene, which they do ably. They are captured along the way by Piers McGrail's captivating cinematography, along with the vast and expansive scenery.
Tomato Red is a strong, engaging film in which Irish director Juanita Wilson manipulates the dramatic elements to engender a keen sense of pathos and despair.
Friel, the film's Southern-noir stylings and Wilson's stealthy composition, are the strong cards here. Its two central characters, however, could have done with a bit more narrative purchase for us to hold on to and get behind.
