In a story about the world of success and fame, the film traces four individual generation-X songs, with ambitious people trying to break into the rural music industry in Nashville. In Nashville, there are 10,000 singers and songwriters chasing success everywhere, and this may hold everyone one chance to reach one million people and get a new fame and an ideal world
Bogdanovich's modest staging is occasionally awkward -- his kids still watch John Wayne movies at the drive-in -- but there's a convincing sense of what Nashville's like and how country music works.
It bears as little relation to the real Nashville as Altman's 1975 feature, but director Peter Bogdanovich, the talented cast, and the credited and uncredited screenwriters are so busy conjuring up a charming world of their own that I didn't mind.
Perhaps no one could have saved Phoenix, who was not lucky enough to find a higher bottom than death. But this performance in this movie should have been seen by someone as a cry for help.
Perhaps there's not much new to say about the dues and disappointments involved in breaking into the country music scene, but the scenes are fresh and the emotions real in Peter Bogdanovich's tune-laden, mixed-mood drama.
