It is the story of a young woman who completely reflects the path when she decided to establish a relationship with the favorite musician of her sick brother. Now, this woman faces a difficult decision that may go into an unspecified framework.
In her feature debut, writer/director Kate Barker-Froyland tends to tiptoe away from the dramatic high notes that audiences often crave and comes up a stanza or two short from a fulfilling resolution.
If you're a Hathaway fan, this will be worth your time; she's in every scene, and builds a convincingly tense relationship with screen mom Mary Steenburgen. But if you're looking for the next Once, well, this isn't it.
Newark Star-Ledger
January 23, 2015
The film, like the world it's part of, remains just a little too precious, a little too self-involved, a little too insular. Instead of singing out, directly to us, it hums its little tune only to itself.
Philadelphia Inquirer
January 23, 2015
Starts off as a singularly strong slice-of-life drama before dissipating into thin air.
