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Slipstream

The film is about an aging screenwrite named Felix Bonhoeffer. His life is in two states of exsistance: in reality and in his own head. Hired to write a murder mystery set in a desert diner but he unawares that his brain is on the verge of implosion. As a redult, Felix is confused when his characters start to turn up in his life, and vice versa.
Keywords:  #Anthony Hopkins #Christian Slater #Slipstream #Stella Arroyave
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Critics Of "Slipstream"
Los Angeles Times
October 26, 2007
Slipstream is an experiment in visual stream-of-consciousness, but stream-of-consciousness fares better as a literary form than a cinematic one.
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Spirituality and Practice
October 28, 2007
A miserable mess of a stream-of-consciousness movie.
Paste Magazine
April 12, 2016
Slipstream meanders into some lucidity by film's end, but it remains difficult to determine if it's a work born of genius or madness. The decision lies with the viewer.
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New York Post
October 26, 2007
At 96 minutes, this vanity/insanity project runs a bit long; five minutes would have been plenty.
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Filmcritic.com
November 09, 2007
A Hopkins personal vanity project
AV Club
October 25, 2007
Either one of the most self-indulgent vanity projects in the history of the Hollywood star system, or a rare revealing look at a distinguished actor who usually keeps his real self out of the spotlight.
BrandonFibbs.com
February 28, 2008
Slipstream is utterly unwatchable. I hated every minute of it.
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New York Times
October 26, 2007
Slipstream is Anthony Hopkins's third film as a director and his first as a quasi-avant-garde filmmaker working well outside the mainstream.
Chicago Sun-Times
October 26, 2007
Leave it to a 69-year-old actor to make the year's most experimental film.
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Eye for Film
October 28, 2007
What would have perhaps made an excellent short subject becomes a cumbersome, confusing and deeply unsatisfying mess of a vanity project.
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Combustible Celluloid
February 29, 2008
Alternately interesting and unwatchable.
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Newark Star-Ledger
October 26, 2007
Slipstream ultimately winds up an avant-garde film that just ain't all that avant.
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2017
IMDb: 7
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