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School Daze

In an exciting atmosphere, this movie, follows the strong discussion that two teams of students at the historical collage for black, Mission College, have, as each one of them don't listen to the other team, the thing that challenges them and brings terrible for them.
Keywords:  #Giancarlo Esposito #Laurence Fishburne #School Daze #Spike Lee #Tisha Campbell-Martin
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Critics Of "School Daze"
Washington Post
January 01, 2000
Spike Lee had something in mind while he shot School Daze, his follow-up to the cult hit She's Gotta Have It. Unfortunately it's still lodged behind his cranium.
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Slant Magazine
February 13, 2005
The film's central argument is that black matriculation is undercut by internal divisions.
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LarsenOnFilm
September 07, 2015
Skin tone is crucial to understanding School Daze's brazenness as a major-studio film.
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New York Times
May 20, 2003
For every tough-minded confrontation between the different student factions, School Daze is apt to offer a love scene less than vital to the plot, or an overlong musical scene whose effect is that of treading water.
EmanuelLevy.Com
November 29, 2006
The film's political issues are far more interesting than its artistic attributes--this messy picture feels as if Spike Lee is just incidentally interested in what makes musical movies work
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United Press International
November 08, 2016
Everything about School Daze is frantic, and the energy is addictive.
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Film4
September 23, 2008
Some of the issues get lost in the mix, but strong performances by Lee and Fishburne make this a watchable and thought-provoking venture.
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Washington Post
January 01, 2000
School Daze, with its pompous patchwork plot, is an arrogant, humorless, sexist mess.
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Chicago Sun-Times
January 01, 2000
Although the film has big structural problems and leaves a lot of loose ends, there was never a moment when it didn't absorb me.
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Capital Times (Madison, WI)
June 07, 2004
An uneven but probably necessary stepping stone between "She's Gotta Have It" and "Do The Right Thing"
TV Guide
September 23, 2008
A shapeless mess that falls far short of the high expectations created by Lee's first feature.
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Time Out
June 24, 2006
Lee has a small, intimate talent; here, he goes for the big podium and blows it.
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