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Let the Fire Burn

On May 13, 1985, a longtime feud between the City of Philadelphia and the Black Liberation organization, MOVE came to a deadly climax. This dramatic tragedy unfolds through an extraordinary visual record previously withheld from the public.
Keywords:  #Birdie Africa #Jason Osder #Let the Fire Burn #Ramona Africa #Wilson Goode
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Critics Of "Let the Fire Burn"
Neil Genzlinger
New York Times
May 13, 2014
[Osder] cuts between news footage of the events as they unfurled and testimony from hearings held afterward to create a stark, nonjudgmental portrait of an incident that probably needn't have happened.
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Chris Hewitt (St. Paul)
St. Paul Pioneer Press
November 07, 2013
It's gripping and shocking.
Gerald Peary
Arts Fuse
June 13, 2014
[This historic footage -- from newsreels, TV stations once-live coverage, from several investigating commissions -- has been edited, brilliantly into a coherent, important political film.
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Colin Covert
Minneapolis Star Tribune
June 13, 2014
Jason Osder's stunning debut documentary offers a disturbing look at a forgotten tragedy.
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Matt Prigge
Metro
November 14, 2013
Apart from the score and the very occasional basic intertitle to help us along, all we see and hear is footage from the day. We're immersed in the present of this world.
Liam Lacey
Globe and Mail
December 06, 2013
Brilliantly edited, the film moves back and forth in time, first tracking the events leading up to the confrontation through news reports of the day.
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Isaac Feldberg
We Got This Covered
February 17, 2014
Let The Fire Burn is an incendiary documentary that uses archival footage to weave a compelling, all-important tale of tragedy bred from anger and misunderstanding.
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Tom Long
Detroit News
January 23, 2014
"Let the Fire Burn" offers a searing picture of how dumb and dangerous humans can be.
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Wesley Morris
December 10, 2013
It's scary as both a movie and a still-reverberating moment in time.
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Brian Orndorf
Blu-ray.com
November 07, 2013
Mesmerizing and provocative, Burn creates an unnerving atmosphere of troubling decisions on both sides of the conflict, permitting the viewer to understand the thought process that went into the explosive endgame.
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Ellen Gray
Philadelphia Daily News
May 13, 2014
It's a remarkably evenhanded telling of a story in which there could be no winners, using archival footage alone.
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Michael Phillips
Chicago Tribune
June 13, 2014
Director Jason Osder's grieving account of the deadly police assault on the MOVE collective's fortified Philadelphia row house works small, continuous miracles with a variety of existing footage.
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