Demi Moore looks desperate because of the death of her 5-year-old son at her home, which may make things quite complicated. After a short time, Demi made a lot of effort to live better after her son's death but to no avail. After a short time, Demi decided to live in a small village to get a better life but she did not know she was still going through terrible days there, and there might seem something different.
if you strip away all the references to other films, and all the play on genres, what remains is a film without its own soul, as insubstantial, and as difficult to credit, as a spectre half-glimpsed through the Scottish mist.
Demi Moore is used to the odd supernatural love story (Ghost, 1990) and she works hard at Rachel, but the screenplay just isn't up to the genre. It's not super, it's not that natural and it's not very thrilling ... the end result is not even half right.
There's a pleasingly Hitchcockian feel to this entertainingly old-fashioned thriller and writer-director Craig Rosenberg pulls off several impressive twists so that you're never quite sure just where the story's going.
