A couple agree to have their deceased son cloned, under the supervision of an enigmatic doctor, but bizarre things start to happen several years after his rebirth.
Working from the assumption that nobody remembers grade school science, let alone the last 30 years of horror movies, Nick Hamm's genre mishmash clumsily recasts The Omen as a cautionary tale featuring a human incarnation of Dolly the sheep.
As in most bad thrillers, the number of pointless shocks increases in direct proportion to the drama's decreasing vitality, like defibrilator paddles jolting a dying man.