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Final Portrait

In 1964, while on a short trip to Paris, the American writer and art-lover James Lord (Armie Hammer) is asked by his friend, the world-renowned artist Alberto Giacometti (Geoffrey Rush), to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of an offbeat friendship, but, seen through the eyes of Lord, an insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. FINAL PORTRAIT is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity. It is a film which shines a light on the artistic process itself, by turns exhilarating, exasperating and bewildering, questioning whether the gift of a great artist is a blessing or a curse.
Keywords:  #Armie Hammer #Clémence Poésy #Final Portrait #Geoffrey Rush #Stanley Tucci
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Variety
February 12, 2017
In "Final Portrait," Stanley Tucci, directing his first film in 10 years, takes the biopic to an even more exquisitely homespun level of miniature close-up.
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Stuff.co.nz
October 04, 2017
Giacometti's endless delaying tactics and his prosaic nature means Final Portrait weirdly feels both once over lightly and somewhat slow all at once.
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Metro (UK)
October 11, 2017
Actor-turned-director Stanley Tucci's fifth movie is like an engagingly acted episode stretched into a feature.
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Hollywood Reporter
February 12, 2017
Makes for a narrative with little consistent forward momentum and an anticlimactic ending, though the film remains agreeable thanks largely to Rush's flavorful performance.
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Flicks.co.nz
October 05, 2017
Avoids the usual biopic pitfalls, yet succumbs to the half-baked slightness that can plague talky, miniaturist chamber pieces.
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ABC Radio (Australia)
October 31, 2017
This modest, extremely charming labor of love from writer/director Stanley Tucci is not intended for anyone who can't wait for the next Transformers. But if you're interested in Paris, art, the 1960s or any combination, it may be right up your alley.
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New Zealand Herald
October 05, 2017
Tucci presents an engaging overview of the artist, undoubtedly one that will inspire viewers to continue their own exploration of a fascinating character.
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Flick Filosopher
January 10, 2018
A bleakly funny, genteelly twisted gloss on the clichés of temperamental creative genius, via the relationship between an artist and his subject, one that questions the sometimes high personal price of great art.
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Cinemanía (Spain)
December 29, 2017
It is not an innovative proposal, but not too trite... [Full review in Spanish]
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The Mail on Sunday (UK)
October 04, 2017
Rather like the sittings, the film just goes on and on and on.
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Herald Sun (Australia)
October 05, 2017
A low-key drama of consistently high quality...
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indieWire
February 17, 2017
As a bit of art-house escapism, that it is a trip well worth taking.
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