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Factory Girl

In the mid-1960s, wealthy debutant Edie Sedgwick (Sienna Miller) meets artist Andy Warhol (Guy Pearce) who promises to make her the star she always wanted to be... And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality...
Keywords:  #Factory Girl #George Hickenlooper #Guy Pearce #Hayden Christensen #Sienna Miller
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Orlando Sentinel
February 16, 2007
It's a movie without that emotional spark that lets us connect with her, or anybody else.
Urban Cinefile
August 11, 2007
As a bio-pic, Factory Girl is limited, but as a snapshot of Sedgwick and Warhol's fiery relationship, there is much to fascinate us.
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Ozus' World Movie Reviews
May 08, 2017
Never gets past the superficial.
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Ebert & Roeper
February 20, 2007
I think Sienna Miller does a really nice job of capturing Edie Sedgwick, who really was the fore-runner to Paris Hilton and a lot of other people who are just famous for being famous.
Common Sense Media
October 22, 2007
True story of drugs and sex is for adults only.
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Denver Rocky Mountain News
February 16, 2007
You feel as if either you or the filmmakers have missed the point, if there ever actually was one.
CinemaBlend.com
May 02, 2008
Summing up a complex human being in two hours is like an MTV spot about Nelson Mandela cut to a Kanye West track. We don't really get to know Sedgwick at all.
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Houston Chronicle
February 16, 2007
When Sedgwick's whirl of liberation turns into addiction, clich├ęs stall the plot.
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Detroit Free Press
February 16, 2007
Sedgwick's death seems as predestined as a Hollywood melodrama.
House Next Door
November 06, 2008
In Factory Girl, a jumbled account of the short life and photogenic hard times of the first Andy Warhol superstar, Edie Sedgwick, Sienna Miller makes Sedgwick into an archetypal over-confident blond with a mannered young Kathleen Turner croak.
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Time Out
March 14, 2007
One wonders whether the documentary format would have better served the material than this ill-focused drama. Since real-life family and observers chime in over the end credits, perhaps the filmmakers were thinking the same thing.
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Twelve years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into ...