It is those events that we live differently through this criminal man who has a different experience in his life. The events begin with a relentless assassin named Joe (Nicholas Cage) who is in Thailand to complete a series of murders. Joe seems to be there for those transactions he has contracted with a criminal named Surat (Neratesay Kalgaruk). As time goes on, things turn to a completely different turn when their personal law breaks when they fall into a local woman, where the atmosphere is definitely deflected.
Cage is believable as the brooding lone-wolf gunman, but the "hit man screwing himself by growing a conscience on his final kill" ploy needs to be put down for good.
Between all the dates and dinners, Bangkok almost ends up being as less thriller and more travelogue; by the hour mark, there are literally more gulps than gunshots.
This is as stale as Tuesday's Phad Thai, from its exhausted mythos of the surgically efficient, omnipotent hit man to the training scenes in which Joe explains the trade to the new guy, to the inevitable betrayals of the third act.
o Nicolas Cage na periferei tis ektos eleghoy sapoynoperikes toy moytes kai ti geloia malloyra toy, se ena pompodi poiitikistiko ahtarma, poy bromaei ap' opoy ki an ton piaseis
At six foot plus, with his hair-plug mullet and his ice-white teeth, Cage sticks out like a sore thumb among the tiny Thai citizens, making for the most conspicuous hitman since Agent 47 rocked the bald head 'n' barcode combination.
