Lulu Danger's marriage did not seem to go well. Now, her marital life takes a bad turn when a mysterious man from her past comes to town and completely disrupts her life. Lulu apparently met this man who came by chance to perform an event called An Evening with Beverly Love Lane.
Plaza occupies Hosking's deadpan surreal world like she's born to it, though Clement banks the biggest laughs with his pathetic bids to impress: his monologue about childhood bowel movements and candy is a hapless delight.
Some will find this impenetrable and irritating, but audiences willing to tune into Hosking's off-kilter style will be moved by the ridiculous love stories and relish the hilarious eccentricity.
The parade of bad taste and tacky outfits sometimes brings to mind early John Waters minus its spirit of pre-punk camp, or Quentin Dupieux without the dream logic and camera sense.
It's not often that Aubrey Plaza appears in a movie without being its most deadpan performer, but she's surrounded by stony-faced competition in this comedy.
