John Milius is a screenwriter and director who came to prominence in the 1970s, when he was associated with Francis Ford Coppola and the pre-Star Wars (1977) George Lucas. Born on April 11, 1944 in St. Louis, Missouri, Milius was one of the first movie industry professionals to be a film school graduate, having matriculated at the University of Sou...
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John Milius is a screenwriter and director who came to prominence in the 1970s, when he was associated with Francis Ford Coppola and the pre-Star Wars (1977) George Lucas. Born on April 11, 1944 in St. Louis, Missouri, Milius was one of the first movie industry professionals to be a film school graduate, having matriculated at the University of Southern California. In 1967, Milius won first prize at USC School of Cinema-for his student film Marcello, I'm Bored (1970).A gun enthusiast, Milius serves as a member of the National Rifle Association's Board of Directors. Show less «
[1982 interview] Whatever I say sounds okay when I say it, but when it's printed, it's awful. I end ...Show more »
[1982 interview] Whatever I say sounds okay when I say it, but when it's printed, it's awful. I end up being this terrible guy that has guns and likes to shoot hippies. They always take the humor out of what I say. 'Milius in Jack Boots and Leather Coat Says Facism Is On the Rise!', that kind of thing, or 'Para-Military Group Led By Director!' Show less «
I love the bomb. It's sort of a religious totem to me. Like the plague in the Middle Ages, it's the ...Show more »
I love the bomb. It's sort of a religious totem to me. Like the plague in the Middle Ages, it's the hand of God coming out indiscriminantly to snatch you. Show less «
[on Conan the Barbarian] A feverish dream on acid.
[on Conan the Barbarian] A feverish dream on acid.
[on Mexican drug traffickers] We need to go down there, kill them all, flatten the place with bulldo...Show more »
[on Mexican drug traffickers] We need to go down there, kill them all, flatten the place with bulldozers so when you wake up in the morning, there's nothing there. I do believe if you have a military, you use it. Show less «
[on "Dillinger"] I got very expensive as a writer, so I was able to make a deal with AIP, who'd have...Show more »
[on "Dillinger"] I got very expensive as a writer, so I was able to make a deal with AIP, who'd have never been able to buy one of my scripts. I said I'll write whatever you want if I can direct it. I'd have paid them to direct. I looked at the gangsters of the time, and the one that had the most appeal was Dillinger. It was a subject I never would have chosen myself, but it allowed me to show how good I could do a gunfight, make the stuff cut together, make the story hold up, and make the actors act... I like it (the violence) because it's real. There are consequences in "Dillinger." You rob a bank, people are going to start shooting, and people are going to get hurt and shot. They run over a woman leaving the bank because that's what they did. They wee desperate. But you don't dwell on it. You don't dwell on the bullet hole and blood pulsing out. Show less «
[on the violence in Conan the Barbarian being rather essential]: "It's not that violent, although I ...Show more »
[on the violence in Conan the Barbarian being rather essential]: "It's not that violent, although I was happy not to get an X rating. But if you said 'Conan the Barbarian' was rated PG, people would feel cheated. We weren't making 'Conan's Divorce', you know." Show less «
[1982 interview] I will always be disliked by the Eastern critical establishment,
[1982 interview] I will always be disliked by the Eastern critical establishment,
Everything has style, everything's a bit larger than life and done with mischief. That's the way Con...Show more »
Everything has style, everything's a bit larger than life and done with mischief. That's the way Conan is. Show less «
I was watching Rush Limbaugh the other night, and I was horrified. I would have Rush Limbaugh drawn ...Show more »
I was watching Rush Limbaugh the other night, and I was horrified. I would have Rush Limbaugh drawn and quartered. He was sticking up for these Wall Street pigs. There should be public show trials, mass denunciations and executions. Show less «
[on "The Searchers"] A lot happens in old movies. Ideas were communicated. Ford's "The Searchers," f...Show more »
[on "The Searchers"] A lot happens in old movies. Ideas were communicated. Ford's "The Searchers," for example. Sure, it's a story about a guy searching for his niece, but it's also a movie about the family. It's a movie about pioneering and what it is to be a pioneer, what it is to put yourself out on a limb. It's a movie about doing your job. Show less «
[1982 interview] I love "Apocalpse, Now"... That one movie justifies my career. I feel I really did ...Show more »
[1982 interview] I love "Apocalpse, Now"... That one movie justifies my career. I feel I really did something worthwhile by writing it. Even though I share credit (with Coppola) and I didn't direct it, it's a real piece of me. Show less «
I've led a whole life behind enemy lines. I've been the victim of so much persecution. I'm the barba...Show more »
I've led a whole life behind enemy lines. I've been the victim of so much persecution. I'm the barbarian of Hollywood. Show less «
If there hadn't been an Arnold around for Conan, we would have had to create him". -Muscle & Fitness...Show more »
If there hadn't been an Arnold around for Conan, we would have had to create him". -Muscle & Fitness magazine, July 1982 Show less «
Luxuries and comforts are evil for humans.
Luxuries and comforts are evil for humans.
I try to maintain a certain innocence toward my material. I like to say that I do what I do because ...Show more »
I try to maintain a certain innocence toward my material. I like to say that I do what I do because I like it and that it's not preachy. When I try to put my finger on what I have to say, it's very vague. It's just an attitude. As Herman Melville put it in "Moby Dick": 'a free and easy desperado geniality.' That's my attitude. Melville was talking about men rowing into the mouth of a whale with their backs to it. I suppose that's what life is like. Show less «
[on Francis Ford Coppola] Francis is the best of us all. He has the most talent and the most daring....Show more »
[on Francis Ford Coppola] Francis is the best of us all. He has the most talent and the most daring. There are a lot of faults in Francis, but I think he's the leader. Show less «
[In a 1982 interview] It's important to go out and do something in your life, to do something with t...Show more »
[In a 1982 interview] It's important to go out and do something in your life, to do something with tremendous commitment and dedication. Maybe put your life on he line to do it. It's important. It makes you a bigger person. We've gotten away from this. The pursuit of excellence - that's really one of the values I try to get into all the movies I do... It's all summed up so well in a surfer term - 'GGo for it!" Show less «
You know, in fact, I am not a fascist. I am a total man of the people. They are the fascists[Hollywo...Show more »
You know, in fact, I am not a fascist. I am a total man of the people. They are the fascists[Hollywood critics]. They're creating the fascist society. I am much closer to a Maoist. However, I am a Zen anarchist. --In an interview with Ken Plume on ign.com Show less «
[on the "Do I feel lucky?" speech in Dirty Harry (1971)] I have a .44 Magnum, I love the .44 Magnum,...Show more »
[on the "Do I feel lucky?" speech in Dirty Harry (1971)] I have a .44 Magnum, I love the .44 Magnum, in fact I still have the .44 Magnum that inspired that that line. The Second Amendment becomes more important every day. Show less «
[on being rejected for military service due to asthma]: "I'm a very efficient director - it's my tra...Show more »
[on being rejected for military service due to asthma]: "I'm a very efficient director - it's my training in military tactics. I've trained my whole life to be a general but I never could. So I became the next best thing, a movie director." Show less «
[on "The Wind nd the Lion"] I consider "The Wind and the Lion" my first real movie. I approached it ...Show more »
[on "The Wind nd the Lion"] I consider "The Wind and the Lion" my first real movie. I approached it as a David Lean film, to do it in that style, a large epic canvas, to see id I could pull off great movements of troops. The story is even written that way. Two guys, the Rasuli and Teddy Roosevelt, yelling at each other across oceans. Show less «
