Birthday: 22 November 1930, Bury St. Edmunds, Suffolk, England, UK
Birth Name: Peter Reginald Frederick Hall
Sir Peter Hall directed his first play while he was still a student. He soon achieved prominence as a stage director and costume designer. He started his occasional film work in 1968 with Work Is a 4-Letter Word (1968). He was the Artistic Director of The Royal Shakespeare Company, Stratford-upon-Avon from 1960 - 1968. Took over direction of the Na...
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Sir Peter Hall directed his first play while he was still a student. He soon achieved prominence as a stage director and costume designer. He started his occasional film work in 1968 with Work Is a 4-Letter Word (1968). He was the Artistic Director of The Royal Shakespeare Company, Stratford-upon-Avon from 1960 - 1968. Took over direction of the National Theatre from Lord Laurence Olivier in 1973, shortly after leaving the RSC. Show less «
I love the politics of committees. I love the fact that with any committee if they set out on a cert...Show more »
I love the politics of committees. I love the fact that with any committee if they set out on a certain path there is always a moment in the discussion if you pick the right moment and you have the right case where you can completely reverse their decision. I mean it's a very undemocratic procedure. Show less «
I've worked with practically all the great directors, alphabetically, from Bergman [Ingmar Bergman] ...Show more »
I've worked with practically all the great directors, alphabetically, from Bergman [Ingmar Bergman] to Zeffirelli [Franco Zeffirelli]. It's wonderful to be involved in the mystery of other directors' work, because they're all different. But most will know within the first three or four days whether it's going to work. The interesting thing is when it's wrong they have to go on and they can't tell anybody it's wrong. Show less «
[after seeing the 'revised' television version of his film "Three Into Two Won't Go", which was not ...Show more »
[after seeing the 'revised' television version of his film "Three Into Two Won't Go", which was not only heavily cut, but also featured 20 minutes of extra scenes filmed in Hollywood by a different director and crew, with new actors]: Universal shipped me a copy and asked for my response. I asked to have my name removed, and the title changed. I also have to report that I was bored. Show less «
The theatre is always dying, always has been, because it's always changing. Change looks like immine...Show more »
The theatre is always dying, always has been, because it's always changing. Change looks like imminent death sometimes. But it won't ever go away because it's live and there's nothing that you can compare it to because of that. Show less «
To play [Alan] Ayckbourn properly, you have to dig deep, be serious and then get laughed at. It woun...Show more »
To play [Alan] Ayckbourn properly, you have to dig deep, be serious and then get laughed at. It wounds the personality Show less «
[in 2008] Actors now think that if they raise their voice, they are being "unrealistic". I tell them...Show more »
[in 2008] Actors now think that if they raise their voice, they are being "unrealistic". I tell them, "What you do is unreal. You're wearing someone else's clothes and speaking someone else's words". Show less «
