We live here a different dramatic story through that girl called Hanna, a girl who lived a life completely isolated with her father. 15 years later, the father and daughter live in the depths of the Polish forest, where Father Eric trained his daughter Hanna to be an incredible killer and hunter. Perhaps that girl is keen to grow outside the confines of her secluded world, where she begins to move away from home. After a short time Marrow, it seems that the girl who is seeking Hanna will draw the way, where the CIA agent Marisa Vegler focuses on her. In the end, things may turn upside down.
Despite its survivalist look and enchanted-forest fairytale overtones, Hanna is basically a spy show, so even that initial window adds a little extra "this message will self-destruct" spice.
The first episode of Hanna confirms only that Creed-Miles, in her debut lead role, is good at punching trees and running through snow while looking vaguely out of breath and being sad.
Nikita wasn't a bad series. It started decently and eventually forged an identity of its own. Perhaps the final five episodes of the first season of Hanna will do the same.
At no point does Hanna ever feel like it has a reason to exist. If you have seen the film, you will be bored out of your mind. If you were intrigued by the trailer, you will feel like the first episode fails to deliver on anything promising.
