The new season begins with the battle of Tom Kane who cementing his mayoral legacy with a lavish ceremony celebrating. This celebrate includes the groundbreaking of the new modernized O'Hare terminals, which changes the life of Tom, especially for his political future seems bright. It seems that will fight for a long time in a battle to control over his disease.
Boss' mix of deft footwork and bull-in-a-china shop clumsiness can be off-putting, but it's always anchored by Grammer's alternately scary and mournful lead performance, and you're never in doubt that there's a fully formed sensibility behind it.
...t a hardboiled, somewhat abstracted view of power relations as practiced by a varied cast of characters... while also imparting an almost Shakespearean grandeur to the proceedings.
If the show can stabilize it's relationship to Kane and clear up some of its more frustrating affectations of "good television," it could really be a great show.
