Karol married and moved to Paris to live Dominique. However, their marriage did not last long. After divorce, Karol is forced to leave home and lives around the station. He returns to Poland but his heart can not forget Dominique.Let's follow him in this interesting movie
It's often cruel, of course, and cool as an ice-pick, but it's still endowed with enough unsentimental humanity to end with a touching, lyrical admission of the power of love. Essential viewing.
Kieslowski's film is one of the great film comedies. Sure, it's the light relief of the Three Colours trilogy, but its sharp observations about human nature are every bit as telling.
[T]his is the comedy of the trilogy, not so much a black comedy as a wicked satire in the cold white light of Polish winter, which (as you would expect) informs the color palette of this film.
How could the creator of Blue, the story of a woman who grieves by moping around Paris in a chichi haircut, possibly have followed it with such a rich, light-handed marvel?
Salon.com
June 12, 2002
Kieslowski, who so keenly satirized the crippling excesses of communism in his earlier work, unflinchingly has a go at training-wheels capitalism, but not without affection for the thawing tundra of his beleaguered mother country.
Karol Karol embodies his homeland, going for broke--in criminal fashion, if necessary--to stake its claim as a player in the European landscape. [Blu-ray]
As probing and meaningful as any arthouse hit of the '90s, lacking only the drama and mystical qualities of Blue and Red to overtly flag itself as such.
he love that figures centrally in White appears more as a postulate than as a realized fact. To achieve something more durable and persuasive, real characters are required, not allegorical stick figures.
