Two friends are locked in a new adventure in their lives, but soon it turned into a terrifying escape at that moment. The two friends face a new US police hunt for these two girls because of the crimes they have committed and may turn their lives upside down.
There are plenty of great one-liners in Callie Khouri's script, and cinematographer Adrian Biddle never fails to give viewers an eye full -- even when it's a ridiculous eye full.
Thelma & Louise has its own ending. It may be as questionable as the rest of the picture, but at least you know it wasn't spliced on by some guy in marketing.
The feminist justification that the script provides for the heroines' behavior doesn't make their actions any less preposterous. But you can recognize the crudeness of the movie's narrative devices and still have an awfully good time.
Any movie that went as far out of its way to trash women as this female chauvinist sow of a film does to trash men would be universally, and justifiably, condemned.
An enduring classic radically redefining women in movies - or at least some of them. And should finally put to rest the intended ending as not self-obliteration, but a burst of magical realism in flight 'out of this world and into the mass unconscious.'
"Thelma & Louise" is a rare thrill - a gleefully offbeat road movie in which two women, instead of the usual footloose fellas, exult in the heady freedom of America's lonesome highways.
