With the mind of trying to develop a new skin for any accident victim, following the death of his wife, Dr Robert modeled a skin which can withstand any damage, but this may not be acceptable to the public.
These are questions one is left with -- and that's not an entirely satisfying feeling. Yet it's hard not to be drawn into the story, and even more, into the gorgeous storytelling.
Deadspin
June 23, 2013
This is a lush, deeply pleasurable film to experience on a sensory level; Almodovar couldn't produce a boring frame if he left the lens cap on.
In Almodovar's world, the flesh is deception, the comedy dark, the sex weird and the tears real; this time, however, the director just wasn't able to pull off all of these elements.
There are few filmmakers -- David Lynch comes to mind, Woody Allen -- who have a completely unique way of imprinting a film. Nobody but Pedro Almodóvar could have made The Skin I Live In. And that's high compliment.
Despite the typically invigorating sense of line and framing, The Skin I Live In withholds the director's customary satisfactions and affirmations. The result is a saga of obsession that, in its saturnine undertone, maintains a hard-to-enjoy integrity.