A cover-up that spanned four U.S. Presidents pushed the country's first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government.
In an era in which journalistic outlets are increasingly accused of delivering "fake news," this film is a reminder that few things are as precious - and vital - as the truth.
This is a powerful if sometimes heavy-handed film. It seems particularly significant right now, when there's an orange buffoon tweeting about awarding "worst news" awards as a propaganda tool to stifle criticism.
The people deserve the truth and not to be lied to, but "The Post" shows that is easier said than done, and it's harder than just writing a story and sending it to the presses.
While physical newspapers may not be as much a part of American life as they used to be, the occasional films about their publication - such as "Zodiac," "State of Play," and "Spotlight" - continue to enthrall. Now, "The Post" can be added to the list.
The balance doesn't sit right and the most exciting elements of The Post remain off-screen. The film has measured surface and technical values, though there is little flair in Janusz Kaminski's cinematography and its texture feels cold and clinical.
