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The Glass House

Ruby Barker’s parents died in a car accident. She and his brother - Rhett -  have to move to Malibu to live with Terrence and Erin Glass. At first, Ruby and Rhett are happy and comfortable. Ruby quickly makes friend at school and Rhett spends more time with his video games. But when discovering the two childrens are recieved $4 million, neighbors start changing their attitude.
Duration: 106 min
Quality: SD
Release: 2001
IMDb: 5.8
Keywords:  #Columbia Pictures Corporation #Daniel Sackheim #Diane Lane #Leelee Sobieski #Original Film #Stellan SkarsgÃ¥rd #The Glass House
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Entertainment Weekly
September 20, 2001
We're left with a cat-and-mouse game between girl and murderous faux-dad that's simply boilerplate.
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RTÉ (Ireland)
February 13, 2003
With debut director Sackheim struggling to infuse the pedestrian plot with any sense of vigour, 'The Glass House' is rendered less memorable with every passing minute.
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Cinema Crazed
April 29, 2009
Has so much potential and structure to become an excellent thriller yet it doesn't deliver.
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CNN.com
September 24, 2001
One look at Terry and Erin's home, and you can sense director Daniel Sackheim gearing up for a tsunami of hogwash.
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eFilmCritic.com
March 19, 2003
the suspense genre has all but ceased to be suspenseful . . . it's business as usual, and the blades in the cookie cutter are getting dull.
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New York Times
September 17, 2001
A thriller that does not mean to be comical but that inspires more howls of laughter than shivers of dread.
Northwest Herald (Crystal Lake, IL)
June 12, 2003
All told, Ruby is responsible for more deaths than the villain. What a spunky little heroine.
ReelViews
September 20, 2001
The film has two consistent attributes: stupidity and predictability.
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New York Post
September 17, 2001
Just another thriller that feels mass-produced.
Netflix
November 07, 2002
Creepy psychothriller features great performances, twisty plot and superbly crafted moments of tension.
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Reel Film Reviews
August 01, 2003
...the screenplay...doesn't contain an ounce of subtlety or even intelligence.
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Salon.com
October 12, 2001
Wesley Strick, the screenwriter, is my hero. I admire anyone who's figured out how to do as little work as he does and still make a good living.
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