What makes this a Scorsese film, and not merely a retread, is the director's use of actors, locations and energy, and its buried theme. I am fond of saying that a movie is not about what it's about; it's about how it's about it.
You'll have to go back to GoodFellas to find a Marty movie this fun, this enamored of language, of ethnic slurs, of "Gimme Shelter," of explosive violence. Scorsese's return to form is the year's most dynamic film. Really, how could it not be?