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Silence

In a mission that seems realistic and exciting to two Catholic missionaries. Andrew Garfield and Adam Driver went to Japan for their real journey, which is a real test of their faith and religious power. They both travel to Japan to search for their missing teacher, Liam Neeson. This is the most dangerous task in history, a real test of Andrew and Adam because of the ban on the existence of Catholicism at that time and the existence of such people who call it.
Keywords:  #Adam Driver #Andrew Garfield #Liam Neeson #Martin Scorsese #Silence
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Critics Of "Silence"
Detroit News
January 13, 2017
For those not exulted by the inner-workings of devotion, it's a slog.
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Cinema em Cena
March 24, 2017
A brilliant reflection about complex themes that always showed up on Scorsese's films but are approached here in new and beautiful ways. [Full review in Portuguese]
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Daily Record (UK)
May 10, 2017
This is exquisite film-making from a master film-maker.
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Christian Science Monitor
January 13, 2017
Alternately powerful and somnolent.
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Film Freak Central
March 28, 2017
Like the resolution of Ted Chiang's Tower of Babylon, there is no answer in inward faith: there's only the outward expression of grace. Silence is a masterpiece.
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Miami Herald
January 06, 2017
"Silence" feels like a career summation for a filmmaker who has spent his life exploring his faith through his work. Here is a movie about the importance of religion that will move you, regardless of whichever God you worship - or don't.
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EscribiendoCine
April 04, 2017
An epic film about devotion, deception and the consolation of inner spirituality. [Full review in Spanish]
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St. Louis Post-Dispatch
January 12, 2017
This may not be Scorsese's best film, but it's unquestionably his most impassioned.
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The Atlantic
January 07, 2017
Scorsese's abiding passion and respect for his source material are everywhere in evidence. For once, perhaps, they are a little too great.
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ArtsHub
March 20, 2017
When it comes to both lengthy looks and the questions of faith that inspire them, Silence has many.
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eFilmCritic.com
April 06, 2017
It's a real high mass of a film, done with high craft in the highest seriousness.
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MTV
January 13, 2017
Scorsese doesn't glorify martyrdom, and he doesn't even hate the killers. He makes death as blunt and dull and useless as a snapped pencil. The point is that there is no point.
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