A man finds himself in prison sentenced for 15 years while he was out drinking one night. He later discovers that he is being blamed for his wife’s murder. He has 5 days to find his abductor after he gets released from prison.
Shakespearean in its violence, Oldboy also calls up nightmare images of spiritual and physical isolation that are worthy of Samuel Beckett or Dostoyevsky.
Intense and dark but also humorous and moving, this is an ambitious film that fulfils its promise, despite an arguably overly protracted denouement. Excellent.
It's mesmerizing and discomfiting, engaging the viewer on a visceral and an intellectual level.
Nick Rogers
September 17, 2010
Banzai-violence kin to "Cast Away" about a man at time's cruel whim, "Oldboy"is an endurance test worth taking. Its conclusion is the most sadistic and destructively wrathful since "Seven," and the point of no return has rarely shocked this much.
It's hard to make an argument for Oldboy based on anything other than pure cinematics, but when the style speaks this loudly, it's an argument worth making.
Urban Cinefile Critics
Urban Cinefile
October 18, 2008
Vengeance, says director Chan-wook Park, is the most dramatic subject in the world. The problem with that view driving his filmmaking is that it seems to override his creative judgement, presenting us with cruelty as the vehicle for his cinematic jollies.
Vengeance here's a clever, evolving beast. Dae-su's guardian-like enemy stokes his bloodlust, embittering the free man's returning love of life. The climax is a scarlet swelling into Greek tragedy as truth, reprisal and justice smear.
Both brutal and lyrical, writer-director Park Chan-wook's existential nail-biter has torture scenes that will have you avoiding dentists, sushi bars and badly appointed hotel rooms.