Lucy, a fictional character that has been acquired by Setsuko, a lonely single miserable Japanese woman lives in Tokyo, when Milka, her niece convinces her to take English lessons, and changes her completely, as she falls in love with her teacher, John.
Nothing here is wrapped up with a red ribbon the way it would be in an American film, studio made or otherwise. Oh Lucy! has the guts to leave things messy and unkempt, just like life.
The gags often play on stereotypes, while the drama sometimes verges on the overwrought. Yet on the whole the film is meticulously crafted; fine detailing is often absent in the usual Japanese "international" movie, whose brush of choice is broad.
At its best, it's a comedy of miscommunication, one that hits an occasional rough spot when the location shifts from Tokyo to SoCal and a chase ensues between Lucy and her mother and sister. 2017.
Led by a Terajima -- who wisely keeps Setsuko's motivations vague -- an able cast creates a genre-defying movie that takes us deep into the kind of life that normally would go unseen.
Hirayanagi has a way of gradually getting inside her characters that slowly renders them comprehensively known, intimately exposed and surprisingly surprising.
Many of the performances are perfunctory and/or badly thought out (not sure what to make of Hartnett's John), but there's no denying that leading lady Terajima is a compelling screen presence. She makes it worth the visit.