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New Town Killers

Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society.
Keywords:  #Alastair Mackenzie #Dougray Scott #James Anthony Pearson #New Town Killers #Richard Jobson
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Observer (UK)
June 16, 2009
A series of illogical twists derails a chase movie that ends in the unfortunate metaphor of an empty box.
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Little White Lies
June 12, 2009
Social commentary with a video game mentality. Intriguing, if not entirely successful.
Film4
June 12, 2009
A film featuring free-running that makes this most bizarre of extreme pursuits appear positively pedestrian.
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Sunday Times (UK)
June 16, 2009
The film has great visual flair, but the story is a heavy-handed slice of modern melodrama that would have made Dickens blush.
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Daily Telegraph (UK)
June 12, 2009
This is shocking, it suggests David Fincher's The Game shot by crackheads running around with cheap DV cameras.
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Empire Magazine
June 12, 2009
Genuinely thrilling urban chase. The tension just keeps ratcheting up.
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Guardian
June 12, 2009
Given that it's basically one big chase, there's something awfully snoozy about this latest from Richard Jobson - a sort of cut-price, Scottish-set Hostel (a mountain bothy, maybe?).
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London Evening Standard
June 16, 2009
It is tightly constructed and successfully portrays the underlying tension between Edinburgh's newly prosperous and those who never had anything and never will.
Daily Express (UK)
June 12, 2009
Energetic direction and a promising central performance counteract the modest budget and some less-than-convincing plot elements.
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Digital Spy
June 12, 2009
Tension and mystery are both constants throughout this very decent indie movie, which could have easily become a cult classic in future years if Sean's two pursuers were better handled by the script.
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Times (UK)
June 12, 2009
The look of the film is unpolished and several of the supporting performances are poor.
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Time Out
June 12, 2009
A seemingly self-mocking jumble of sour literary, cinematic, class and genre affectations.
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