Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear.
One of the last examples of the imaginative -- but often monstrous -- grandeur of the Golden Period of the German film, Metropolis is a spectacular example of Expressionist design.
ColeSmithey.com
April 19, 2014
[VIDEO ESSAY] Although it ends with an overwrought climax, topped off with a laughably banal cliché that unites the workers with their greedy overlord, "Metropolis" is filled with stunning archetypal imagery and grand-scale spectacle.
For years audiences have wondered how good this film might have been had it not been edited. It turns out that it's better than anyone could ever have expected.
Occasionally it strikes one that [Lang] wanted to include too much and then that all one anticipates does not appear. But at the same time the various ideas have been spliced together quite adroitly.