The 3-D process adds not just dimension but depth - a technological extension of cinematographer Gregg Toland's deep-focus innovations in The Grapes of Wrath and Citizen Kane. The change in perspective creates greater intensity.
Spielberg was wise to not rely entirely on computer images, rather blending the new technology with old-fashioned practical designs and the result is a film that looks far better than any modern tentpole blockbuster.
Tampa Bay Times
June 10, 2015
We ask for two things from big-budget thrillers like this: Make us believe and make us jump. Jurassic Park delivers on both counts.
Jurassic Park is an astonishing success in one sense and one sense only: It is the monster of all monster movies, guaranteed to challenge weak bladders, flutter heartbeats and win automatic Oscars for the [tech crew].
