Things turn into a frightening turn when a single mother saw terrifying demons in her 11-year-old son. Meanwhile, a wheelchair-bound scientist has the ability to enter the minds of unconscious property for a long time. Now, the man will take on a new task by helping that woman.
This horror movie tries to set itself apart from other demon-possession movies by inventing an interesting new mythology, but eventually it gets tired, bogged down and lost in its own rule book.
A horror film that recaptures elements of the classics to mix them indistinctly and clumsily into a fragile reflection on dreams and time, and ends up being a predictable disaster. [Full review in Spanish]
Offers a relatively fresh take on standard-issue exorcism-melodrama tropes, along with a performance by Aaron Eckhart that is more than persuasive enough to encourage the investment of a rooting interest.
The mixture of genres and the well-executed twist offered by Incarnation's premise, above the usual formula, is what saves it from burning. [Full review in Spanish]
Dense with plot and mythology, the film is refreshingly unpredictable - if only because guessing what comes next would require understanding what the hell is going on.
The result isn't even close to what could be expected, since its ending it's like a pastiche of many things and nothing at the same time. [Full review in Spanish]
It's all a wild jumble of half-baked, derivative ideas and arbitrary rules, all of which add up to a suspense-free horror narrative as murky as its lighting.
