Daryl, one of the most famous night disc jockeys in New York, was able to attend a party for mob manager Frank, as his life seemed to be on a new path during this party. Now, Daryl becomes familiar with the beautiful daughter of Frank Dolly. When Daryl saved Frank, the gang gave him the task of protecting his daughter during that time.
It's not exactly atrocious, but it constantly makes you wonder why those involved couldn't find something better to do.
Variety
November 28, 2005
... pic is never too insulting to the viewer, and works up a fair amount of goodwill by the good graces of Usher's Will Smithian charisma and an extremely attractive filmmaking package ...
It's clearly conceived solely as a star vehicle for the ubiquitous Usher and his washboard abs, with plot coherence and originality coming in somewhere lower in the pecking order.
Hollywood Reporter
November 29, 2005
Played mostly as a drama but utterly devoid of tension, the film mainly comes across as recycled.
New York Times
November 28, 2005
[A] one-dimensional romantic comedy that ... feels like an old-fashioned vehicle picture, the kind the big movie studios used to make in the 1930's and 40's just to bring in the fans of a particular actor or actress.
With its laughable dramatic sequences and goofy supporting characters, this film is hard to dismiss as entertainment: a camp treat for comics as well as Usher fans.
