A woman (Mischa Barton) named Sophia and her friends go in search of her lover (Ryan Eggold), who has suddenly disappeared somewhere within the haunted apartment building they inhabit.
Robinson apparently believes the best way to jolt an audience is to have several sequences where darkness and silence linger on the screen before having loud music wake viewers up from a well-deserved slumber.
A moralistic ending is telegraphed from the beginning and routinely fulfilled by the end, rendering the rest of this trite, visually unappealing mess virtually worthless.
