After a banal accident in her village, Shula, an eight-year-old girl, is accused of witchcraft. After a quick trial, she is found guilty and locked up in a witches' camp.
A fable-like story about a young African girl banished from her village for alleged witchcraft, it blends deadpan humor with light surrealism, vivid visuals and left-field musical choices.
As each new injustice piles on the last, the image becomes ironically imbued with its own magical properties, symbolising the terrible absurdity that keeps beleagured women powerless while the lunatics take over the asylum.
An extravagant flight of fancy that functions equally well as an anthropological curiosity, engrossing drama, feminist allegory, tart political satire and dire warning against xenophobia.
There are some bombastic aural stylistic choices too, with Vivaldi and Estelle rubbing shoulders on the surprising soundtrack. While the satire occasionally feels too blunt, overall the film offers a rush of originality, energy and ambition.
Maggie Mulubwa is captivating as the girl, and the story is an intriguing mixture of satire and tragedy, but the film's carefully artistic style (though an achievement) is at times too distracting.
The bobbins are a brilliantly employed metaphor, something that feels freshly sprung from a fairy tale, only silly until you consider how sinister they are.
It's arguable that Nyoni is stretching a thin premise, but this film is one of the obvious breakouts of the year: exactly the kind of young work-brash, committed, and narratively unpredictable-that film festivals are supposed to champion.
Nyoni opts for an elliptical approach that occasionally confuses, but Mulubwa's exceptional impassivity and David Gallego's unsettlingly striking imagery help keep this focused and fascinating.