I'm still wondering who we're supposed to assume was holding the camera during Gyllenhaal and Anna Kendrick's sex scene.
TIME Magazine
January 08, 2013
The performances here are so sharp that viewers may wish End of Watch has been shot by someone who knew how to find the right point of view for a scene and leave it there.
Ayer and his cast appear to have so convincingly nailed the way these characters talk and act that you might not even notice the film slipping from workaday grit into out-and-out myth.
