Elektra decided to work as a killer for the trafficker, where she began working within a mysterious international organization known as Hand. The organization is trying to exploit the power and skill of that girl in killing, as she kills her goals without question. Over time, a hand organization asked Elektra to kill Mark Milwabanth Abby while they were on holiday. It seems that the conscience of Elektra is to blame for that task, where it is decided to protect its objectives rather than eliminate them. And you probably do something else contrary to what Elektra expects under work with that institution.
This doesn't exactly set the world on fire, but I was charmed by its old-fashioned storytelling, which is refreshingly free of archness, self-consciousness, or Kill Bill-style wisecracks.
If the film isn't as bad as some others in the comics-to-cinema genre (Halle Berry's Catwoman has rather lowered the bar), that's not to say it's good.
The problem is Elektra is not among the most compelling of characters. She doesn't have enough humanity and the story not enough depth to sustain us between fight scenes.
