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Critics Of "Dead Mans Shoes"

In the end, the picture's more pulp than juice.

The film is further proof that revenge, even when served as a cold dish as this is, ends up being far too chewy for a satisfying movie meal

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An original, complex, and utterly gruesome revenge parable...

In a swift 86 minutes, director Meadows and co-writer/star Considine give us a methodical, handsome, emotionally intelligent version of the revenge flick.

Startlingly powerful, slightly loopy take on the revenge flick . . . offers a wry authenticity that the too-stylish, tough guys and gals in Tarantino's wanna-be-epics of retribution can't exude.

Meadows ... very slowly builds to a powerful climax for this arty cross between Straw Dogs and First Blood.

Isn't a mess, but it's sure no competition for Winchester 73, Once Upon a Time in the West or even Kill Bill, films in which payback really is a bitch.

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There's a hint of Shakespeare's goriest tragedies here, sucked dry of any attendant heart, emotional depth or compelling human interest.

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A poor fit for anyone. And that includes even the undiscriminating gorehounds looking for yet another bloody slice of payback.

What's intriguing is that Meadows makes us identify with these small-time hoods, even as he's setting up their executions.

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Film plays as a quirky Brit riff on everything from U.S. slasher pics to revenge oaters but without Meadows' usual psychological complexity.

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