While the portentous glances and oblique dialogue of the undead evoke stylish '70s Euro-vampires - as do the trippy cuts and fade-outs - Oliver's manhunt feels more like a low-budget '80s potboiler.
It's all very solemn, convoluted and a bit bloody, but not engrossing, despite impressive cinematography by Jasmin Kuhn and Mr. dela Torre and the best efforts of a hard-working cast.
