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Bait (2012)

Now, a strange tsunami appeared at critical moments. A team of survivors must pass a dangerous course when they realize the appearance of the deadly great white sharks. Everyone is trying to have a strong experience that makes them join hands to follow the path to escape from this real impasse.
Keywords:  #Bait (2012) #Bait Productions #Chris Betts #Kimble Rendall #Media Development Authority (MDA) #Pictures in Paradise #Richard Brancatisano #Xavier Samuel
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Los Angeles Times
September 13, 2012
Rendall and screenwriters Russell Mulcahy and John Kim forget that in between bursts of tart, blood-drenched mayhem, there's a saggy, dumb chamber drama that's completely bland and under-seasoned.
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Flicks.co.nz
November 01, 2012
It's not spectacular, but it is good enough to see on the big screen.
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Guardian
April 18, 2013
It is all very silly, and more Corman than Spielberg, but entertaining.
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Variety
September 17, 2012
This likable trash occasionally outsmarts more moneyed Hollywood fish features.
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Sight and Sound
November 15, 2012
Carp all you like at how subtext, plausibility and sense have been sacrificed to this film's high concept, but all the stereoscopic slaughter is irresistibly appealing.
London Evening Standard
April 19, 2013
Jaws it ain't.
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ViewLondon
April 18, 2013
Enormous fun, thanks to pacey direction, strong performances, a number of nicely handled gory bits and a script that pays close attention to the demands of the shark attack genre movie.
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Total Film
May 02, 2013
More funny than scary, it often feels like Deep Blue Sea meets The Mist... but what's wrong with that?
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Observer (UK)
April 21, 2013
Bait is fairly exciting, ingenious, well designed, and is perhaps a clever advertisement for online grocery shopping.
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Dread Central
October 02, 2012
It's non-stop bloody fun from start to finish and one that you certainly should invite some friends over to dig on with you... again and again.
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Little White Lies
April 18, 2013
You've seen this movie without even seeing it.
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Village Voice
September 17, 2012
[It] has many flaws, the foremost among these is the inability to indicate whether we're supposed to consider the savage behavior brought on by its crises as ambiguous or unassailably good.
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