Dee is an anarchic street-artist confronting the system, Marcus is an armed robber on a jewellery store crime-wave. For both Dee and Marcus, being Anti-Social is a way of life. Challenging the system, Dee's graffiti unintentionally enchants the art-elite and he enters the gallery world, embracing the lifestyle with fashion-model girlfriend Kirsten. Meanwhile, Marcus' daredevil heists gain him credibility with an organised-crime syndicate and his aspirations drastically escalate.
Lairy geezer action sits awkwardly alongside dreary discussions of the politics of street art in writer/director Reg Traviss's uninspiring crime caper.
Traviss is clearly searching for cockney cool and "lots of layers, like life" but can't find either in the one-note flimsiness of the plastic plot that's worsened by weak ensemble acting.
Writer-director Reg Traviss gives the shoot-outs plenty of welly, but the dialogue is mostly dire and the action sometimes grinds to a halt for an earnest oration on the politics of graffiti art or postcode gang violence.
