This drama follows two school classmates Christopher and Michal, as they roam the streets of Warsaw, exploring a city torn between its past and future.
In some ways, All These Sleepless Nights feels like 100 minutes of waiting for something to happen: it's probably just as well that we get only a year's worth of Krzysiek's life, and then just a compilation of the briefest highlights.
For all its visual and sonic pleasures - see it in a theater with a good subwoofer - "All These Sleepless Nights" feels simple-minded in its commitment to drift above all else.
All These Sleepless Nights takes an otherwise non-compelling (and to some people, unappealing) premise and turns it into something so seductive to the senses that you won't want to look away.
Taken as a whole, "All These Sleepless Nights" presents a restless, some-might-say-dynamic portrait of characters who seem to be going absolutely nowhere.
The best thing I can say about it all is that it feels true to life; there's no easy way to explain the beginnings and endings of relationships, nor any easy way to navigate them.
"All These Sleepless Nights" raises this central question: Who would want to spend one minute, much less 105 minutes, with this guy? I did - and regret it.