In a dramatic atmosphere, this movie, follows the struggles of Emmi, an aging German woman, who falls in love with a young Moroccan immigrant, Ali, with whom she makes her mind to get married, the thing that challenges them, as they face the opposition of family and friends.
This 1974 film stands as one of Fassbinder's sturdiest achievements, posed between the low-budget funkiness of his early features and the mannerism of his late period.
It even manages something like a happy ending without sugar-coating the still poignantly relevant themes.Timely and heartbreaking, some 43 years after its debut.
Fassbinder's historicism is a crucial aspect of his modernism: he didn't just make use of prior forms, he quoted them, and derived from them the ironies implicit in his melodramatic styles.
It is, rather, another quite courageous attempt by Mr. Fassbinder to develop a film style free of the kind of realistic conventions that sentimentalize life's mysteries.
Guardian
March 30, 2017
The performances of Brigitte Mira and El Hedi Ben Salem as Emmi and Ali are superb; they act with instant sympathy and charm and in their own way, they are the most purely lovable characters I have ever seen on a movie screen.
Fassbinder uses dramatic and visual excess to push everyday events to extremes, achieving a degree of political and psychological truth not accessible through mere social realism.