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Ali Fear Eats The Soul [Sub: Eng]

In a dramatic atmosphere, this movie, follows the struggles of Emmi, an aging German woman, who falls in love with a young Moroccan immigrant, Ali, with whom she makes her mind to get married, the thing that challenges them, as they face the opposition of family and friends.
Keywords:  #Ali Fear Eats the Soul #Barbara Valentin #Brigitte Mira #El Hedi ben Salem #Rainer Werner Fassbinder
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Chicago Reader
May 25, 2011
This 1974 film stands as one of Fassbinder's sturdiest achievements, posed between the low-budget funkiness of his early features and the mannerism of his late period.
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CineVue
April 14, 2016
It's surely the sheer, unvarnished humanity on display that's the film's greatest success.
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Irish Times
April 26, 2017
It even manages something like a happy ending without sugar-coating the still poignantly relevant themes.Timely and heartbreaking, some 43 years after its debut.
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New Yorker
June 03, 2014
Fassbinder's historicism is a crucial aspect of his modernism: he didn't just make use of prior forms, he quoted them, and derived from them the ironies implicit in his melodramatic styles.
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Little White Lies
March 30, 2017
Fassbinder made so many incredible films, but this is certainly up there with his finest.
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New York Times
May 09, 2005
It is, rather, another quite courageous attempt by Mr. Fassbinder to develop a film style free of the kind of realistic conventions that sentimentalize life's mysteries.
Guardian
March 30, 2017
The performances of Brigitte Mira and El Hedi Ben Salem as Emmi and Ali are superb; they act with instant sympathy and charm and in their own way, they are the most purely lovable characters I have ever seen on a movie screen.
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Variety
June 26, 2008
Technically flawless, deceptively simple and avoiding excesses, it is about problems that are timely and timeless in implications.
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Time Out
January 26, 2006
Fassbinder uses dramatic and visual excess to push everyday events to extremes, achieving a degree of political and psychological truth not accessible through mere social realism.
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Observer (UK)
April 02, 2017
The performances are flawless; the themes remain timely.
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Time Out
March 27, 2017
One of the most beautiful films ever made, plain and simple.
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