Director Jacques Audiard presents a special model where the film tells the story of an Arab young man who is sent to a French prison, but things turn to a different path when he becomes mafia boss.
A Prophet is essential viewing for art-film buffs and crime-flick fans, but also for anyone who's looking for a great story, terrific acting and masterful filmmaking.
But with its lush Alexandre Desplat score, deeply shadowed compositions, and fluid, understated camera movement, A Prophet is distinctly an Audiard construction.
The film never succumbs to the pitfalls of the prison-movie genre, and there's something poetic about how Audiard, in the midst of all this violence, manages to make a punch to the stomach seem like the most violent act of all.
A movie that has more in common with Jean Genet than Frantz Fanon, but there's enough insights into white colonial domination of Arab peoples to make this a cut above the standard prison melodrama. Highly recommended.
The success of Malik is sheer American dream via France: Anyone can make it if they try hard enough. Make it at what, of course, is always the question.
A movie that stands with the best prison thrillers from any country; a film that vividly illustrates the connection between prison and the violent, radical form of Islam that keeps much of Europe on edge.
Gallery of "A Prophet (2009)"
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Annabelle: Creation
2017
IMDb: 7
109 min
Country: United States
Genre: Thriller, Horror, Mystery
Twelve years after the tragic death of their little girl, a dollmaker and his wife welcome a
nun and several girls from a shuttered orphanage into ...